PARTICIPANTS ANNOUNCED FOR THE U.S. PAVILION
AT THE 19TH INTERNATIONAL ARCHITECTURE EXHIBITION OF
LA BIENNALE DI VENEZIA FOLLOWING OPEN CALL
“PORCH: An Architecture of Generosity,” Exterior View. Photograph by Tim Hursley. Courtesy “PORCH: An Architecture of Generosity" Organizers.
**Editors: Additional information and high-resolution images are available here. Interview requests can be coordinated through jessica@novitapr.org.
VENICE, Italy (May 5, 2025) PORCH: An Architecture of Generosity, the U.S. Pavilion’s presentation at the 19th International Architecture Exhibition of La Biennale di Venezia, will open to the public on May 10, 2025, with previews during the Biennale’s Vernissage from May 8–9, 2025. Organized by the Fay Jones School of Architecture and Design at the University of Arkansas in partnership with DesignConnects and Crystal Bridges Museum of American Art, PORCH is Co-Commissioned by Peter MacKeith, Susan Chin, and Rod Bigelow. The exhibition and site-specific installation positions the American PORCH as a powerful architectural and cultural space of welcoming, community, and imagination and aligns with the Biennale’s overarching theme Intelligens: Natural. Artificial. Collective.
A Design Team comprised of Marlon Blackwell Architects, Stephen Burks Man Made, D.I.R.T. studio, and TEN x TEN worked with the Co-Commissioners to transform the Pavillion into a contemporary PORCH. Built from prefabricated mass timber and rammed earth of Venetian provenance, the exhibition features curated art and objects, generous seating, and a shaded platform for dialogue and exchange.
Inside the Pavilion, fifty-four participants from across the U.S. and its territories showcase the diversity of contemporary American design, each contributing an immersive “PORCH window.” Selected through a national juried Open Call, the participants offer a multifaceted portrait of American architecture that spans geographies, scales, disciplines, and identities.
Additionally, a researched display tracing the history of the American porch and its evolving role in American culture accompanies the installation, offering visitors insight into the architectural, social, and symbolic significance of the enduring typology.
An ongoing display of PORCH: A Library brings a curated collection of texts that explore the porch as a threshold of learning, memory, and imagination. This exhibition element invites visitors to reflect on spaces where private life meets public engagement and where individual experience gives way to collective understanding.
“PORCH: An Architecture of Generosity reflects the best of American architecture. Generous in spirit, grounded in place, and open to the world, it exemplifies how architecture can invite connection and inspire imagination,” said Peter MacKeith, Dean of the Fay Jones School of Architecture and Design, University of Arkansas. “The exhibition is the product of an extraordinary coming together of design talent, institutional support, and curatorial intention, and we are grateful for everyone involved.”
“PORCH is an open invitation to gather, to exchange, and to experience the power of architecture and design as a connector,” said Susan Chin, Founding Principal, DesignConnects. “Through its spatial presence, curated educational components, and multidisciplinary expression, our exhibition celebrates community and creativity in all their forms.”
“PORCH reminds us that culture lives not just in institutions, but in the spaces where people come together,” said Rod Bigelow, Executive Director, Crystal Bridges Museum of American Art and the Momentary. “This exhibition extends that idea with openness and generosity, creating a place where architecture, art, and community meet.”
“PORCH: An Architecture of Generosity,” Interior View. Photograph by Tim Hursley. Courtesy “PORCH: An Architecture of Generosity" Organizers.
As a living platform for engagement activated by programming and cultural exchange, PORCH Fests will enhance the exhibition experience and take place over four key weekends: Pre/Opening Weekend (May 9–11), Independence Day/4th of July (July 4–6), Labor Day (August 30–September 1), and Closing Weekend (November 21–23).
During PORCH Fest days, the Pavilion will host artistic guests, members of the PORCH Design Team, exhibitors, MacArthur and American Academy in Rome Prize Fellows and Residents, and AIA Gold Medal recipients. Through artistic expression, Design Dialogues, and interactive exchange, these gatherings will foster connection and shared experience and will feature song, dance, storytelling, workshops, and more.
Following the close of the 19th International Architecture Exhibition of La Biennale di Venezia, select components of PORCH will be disassembled and transported to the University of Arkansas Rome Center. There, architecture students will study and redesign these materials for adaptive reuse as educational installations in Italian middle and high schools across Rome, Milan, and Venice. This phase of the project extends the educational mission of PORCH by transforming exhibition elements into learning tools that illustrate spatial concepts, community engagement, and resiliency. Ultimately, this next chapter reinforces PORCH’s core message that architecture and design are tools to build relationships and imagine more generous futures.
PORCH: An Architecture of Generosity will remain on view at the Biennale through November 23, 2025. For more information, visit porchusavenice2025.org.
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ABOUT THE ORGANIZERS
The Fay Jones School of Architecture and Design, University of Arkansas advances design excellence through a multi-disciplinary, place-responsive design education, in service to Arkansas, the nation and the world. Within the curricular context of an excellent professional design education, the school provides a vital design culture and educational environment grounded in critical design thinking, multidisciplinary collaborations and civic engagement. Founded in 1946 with degree programs in architecture, and named in honor of the Arkansas-born Fay Jones, the 1990 AIA Gold Medalist, today the school is constituted by nationally recognized degree programs in architecture, interior architecture and landscape architecture, as well as the award-winning University of Arkansas Community Design Center, the Anthony Timberlands Center for Design and Materials Innovation and Garvan Woodland Gardens, a botanical garden in Hot Springs, Arkansas. Across the school, students focus on issues of community with a global awareness, designing for the lives of real people and towards a better environment, through a responsible emphasis on the materiality and experience of design, preparing students to work productively across geographies, societies and cultures.
As Arkansas's flagship institution, the University of Arkansas provides an internationally competitive education in more than 200 academic programs. Founded in 1871, the U of A contributes more than $3 billion to Arkansas's economy through the teaching of new knowledge and skills, entrepreneurship and job development, discovery through research and creative activity while also providing training for professional disciplines. The Carnegie Foundation classifies the U of A among the few U.S. colleges and universities with the highest level of research activity. U.S. News & World Report ranks the U of A among the top public universities in the nation. See how the U of A works to build a better world at Arkansas Research and Economic Development News.
DesignConnects’s mission is to create and nurture places and organizations using art and design, collaboration and civic leadership. DesignConnects provides services in design, nonprofit management, community engagement, advocacy, policy making, government operations and public/private partnerships, associated with culture, architecture, preservation, landscape and urban design and planning. Recent projects include: Snug Harbor Cultural Center and Botanical Garden; New York Chinese Scholar’s Garden renovation; and Portland, Oregon’s Back to Square One: Rethinking O’Bryant Square.
The mission of Crystal Bridges Museum of American Art is to welcome all to celebrate the American spirit in a setting that unites the power of art with the beauty of nature. Since opening in 2011, the museum has welcomed more than 14 million visitors across its spaces, with no cost for admission. Crystal Bridges was founded in 2005 as a non-profit charitable organization by arts patron and philanthropist, Alice Walton. The collection spans five centuries of American masterworks from early American to current day and is enhanced by temporary exhibitions. The museum is nestled on 134 acres of Ozark landscape and was designed by world-renowned architect Moshe Safdie. A rare Frank Lloyd Wright-designed house was preserved and relocated to the museum grounds in 2015. Home of the prestigious Don Tyson Prize for the Advancement of American Art and Tyson Scholars of American Art Program, Crystal Bridges offers public programs including lectures, performances, classes, and teacher development opportunities. Some 478,375 school children have participated in the Willard and Pat Walker School Visit program, which provides educational experiences for school groups at no cost to the schools. Additional museum amenities include a restaurant, gift store, library, and five miles of art and walking trails. In February 2020, the museum opened the Momentary in Downtown Bentonville (507 SE E Street), conceived as a platform for the art, food, and music of our time. In 2026, Crystal Bridges will complete a 114,000 square foot expansion that will allow the museum to expand access for all. For more information, visit CrystalBridges.org. The museum is located at 600 Museum Way, Bentonville, Arkansas 72712.
ABOUT LA BIENNALE DI VENEZIA
Established in 1895, La Biennale di Venezia is considered the most prestigious institution, with its International Art and Architecture Exhibitions. Introducing hundreds of thousands of visitors to exciting new architecture every two years, the 19th International Biennale Architettura of La Biennale di Venezia (May 10 – November 23, 2025) will be curated by architect and engineer Carlo Ratti. Information about the Biennale Architettura 2025 is available at: labiennale.org/en/architecture/2025.
The United States Pavilion at the Giardini della Biennale, a building in the neoclassical style, opened on May 4, 1930. Since 1986, The U.S. Pavilion has been owned by the Solomon R. Guggenheim Foundation and managed by the Peggy Guggenheim Collection in Venice, which works closely with the U.S. Department of State and exhibition curators to install and maintain all official U.S. exhibitions presented in the Pavilion. Every two years, museum curators from across the U.S. detail their visions for the U.S. Pavilion in proposals that are reviewed by the National Endowment of the Arts Federal Advisory Committee on International Exhibitions, a group comprising curators, museum directors and artists who then submit their recommendations to the U.S. Department of State's Bureau of Educational and Cultural Affairs. Past exhibitions can be viewed on the Peggy Guggenheim Collection website at: guggenheim-venice.it/en/art/us-pavilion.
The United States Department of State’s Bureau of Educational and Cultural Affairs (ECA) supports and manages official U.S. participation at the International Art and Architecture Exhibitions of La Biennale di Venezia. ECA builds relationships between the people of the United States and the people of other countries through academic, cultural, sports, professional and private exchanges, as well as public-private partnerships. These exchange programs improve foreign relations and strengthen the national security of the United States, support U.S. international leadership and provide a broad range of domestic benefits. For more information, please visit: eca.state.gov.
PRESS CONTACTS
Chris Abbate
Founder and President
Novità Communications
chris@novitapr.com
Jessica Merritt
Associate Vice President
Novità Communications
jessica@novitapr.com
Joan MacKeith
mackeithj@gmail.com
U.S. Department of State
eca-press@state.gov