“PORCH: An Architecture of Generosity.” Photograph by Tim Hursley. Courtesy “PORCH: An Architecture of Generosity" Organizers.

PORCH: AN ARCHITECTURE OF GENEROSITY’S FINISSAGE PROGRAM ANNOUNCED 

Organizers Prepare to Host the Fourth and Final PORCH Fest Centered on “Gathering and Giving Thanks”

***Editors: Additional information and high-resolution images are available here. Interview requests can be coordinated through jessica@novitapr.org.


VENICE, Italy (November 17, 2025)PORCH: An Architecture of Generosity, the U.S. Pavilion’s exhibition at the 19th International Architecture Exhibition of La Biennale di Venezia, will conclude its run with a three-day program of performances, design dialogues, art activations, and community-focused workshops. Since its opening in May, PORCH has served as a shared space for gathering and exchange, and its Finissage will mark a final celebration of the contributors and visitors who have shaped the project together over the last six months.

Organized by the Fay Jones School of Architecture and Design at the University of Arkansas, in partnership with DesignConnects and Crystal Bridges Museum of American Art, PORCH is co-commissioned by Peter MacKeith, Susan Chin, and Rod Bigelow. The presentation and site-specific installation position the American porch as a powerful architectural and cultural space of welcoming, community, and imagination, and aligns with the Biennale’s overarching theme Intelligens: Natural. Artificial. Collective.

Since its debut, PORCH has drawn steady attendance from architecture, design, and culture luminaries, as well as students, educators, and community organizers from around the world. A series of PORCH Fests, developed as a collaboration between the Co-Commissioners and Cynthia Post Hunt, the Curator of Artists-in-Residence and Performance at Crystal Bridges Museum of American Art and the Momentary, and PORCH Fests’ Public Programming Coordinator, has further enhanced the exhibition, adding special programming to the Pavilion during American cultural milestones. 

A concluding activation will take place during the Biennale’s closing weekend, November 21–23, 2025. Titled “Gathering and Giving Thanks,” the program honors the collaborative effort behind the exhibition’s creation and the shared experiences that it has shaped.

All programming is included with Biennale admission, with highlights of the “Gathering and Giving Thanks” PORCH Fest featuring collaborative workshops, live music and theater, participatory crafts, film screenings, design dialogues, and signature performances. 

Ada Limón, the twenty-fourth Poet Laureate of the United States, will provide a reading of select work, and a joint initiative with the American Academy in Rome (AAR) will bring three distinguished AAR Fellows to the PORCH for interactive offerings. 

Fellow Akima Brackeen will present Words on Water: Venice, a participatory program and the second installment in an ongoing series tracing the deep connections between people and water, encouraging collective acts of storytelling. Fellow Tameka Baba will lead Site Unscreened, in which guests contribute to a communal weaving, either by beginning a new strand or continuing one left by someone else, prompting reflection on how landscapes are perceived and shaped without full knowledge of their pasts. Finally, Fellow Lex Brown will offer The Tower: Drawing from the Tarot in Times of Entropy, a brief talk on the formation of the Tarot, its archetypes, and its symbology during periods of instability, followed by optional one-card readings for visitors.

“Gathering and Giving Thanks” culminates in a Design Dialogue featuring PORCH Co-Commissioners Peter MacKeith and Susan Chin, with project contributors Francesco Bedeschi and Jonathan Boelkins. Additional dialogues with members of the Lead Design team and exhibitors, including Stephen Burks Man Made, TEN x TEN, Jones Studio, Letter J, Cunningham | Quill Architects, Brightmoor Maker Space, and artist Matthew Mazzotta, reflect on porches, public life, and community building.

Conversations on food and hospitality with chef Erick Williams of Virtue Restaurant and Elliot Hunt of Atlas the Restaurant complement the program, alongside the interactive performance Leopold Benches: A P(o)or(t)ch Theater by artists Michelle Grabner, Mark Jeffery, Kelly Kaczynski, Brad Killam, and Judd Morrissey, with costumes designed by Kristin Mariani and shoes designed by James Sommerfeldt. The festivities also include screenings of the PORCH Moves video series and the tying off of the Friendship Quilt created by visitors with artist Danielle Hatch. The weekend concludes with musical performances by Kalyn Fay and Olivia McGraw, and a PORCH Farewell. 

“The PORCH has shown us how this humble space of welcome can unite people through the simple act of being together. Over these months, we have gathered with visitors from around the world and experienced the power of shared presence,” said Peter MacKeith, Dean of the Fay Jones School of Architecture and Design, University of Arkansas. “As we meet on the PORCH one last time, I am deeply moved by how this project has grown beyond any single vision and become a lasting expression of generosity and community.”

“Day after day, the PORCH was a site of joy, curiosity, and connection, and proof that architecture and design can create space for people to find commonalities and discover a sense of kinship that transcends difference,” said Susan Chin, Founding Principal, DesignConnects. “This chapter ends with deep gratitude for the moments we shared and for the community that formed around the PORCH, however briefly and beautifully.” 

“The PORCH has been a place where countless interactions carried a quiet significance. Artists, designers, students, neighbors, and travelers each brought their own ideas to the project and their own ways of activating it,” said Rod Bigelow, Executive Director, Crystal Bridges Museum of American Art and the Momentary. “This Finissage is bittersweet, but it reminds us that spaces shaped with care and intention can knit people together across disciplines, cultures, and distances.”

“PORCH: An Architecture of Generosity.” Photograph by Tim Hursley. Courtesy “PORCH: An Architecture of Generosity" Organizers.

For PORCH: An Architecture of Generosity, a Design Team comprised of Marlon Blackwell Architects, Stephen Burks Man Made, D.I.R.T. studio, and TEN x TEN worked with the Co-Commissioners to transform the U.S. Pavilion into a contemporary PORCH. Built from prefabricated mass timber and rammed earth of Venetian provenance, the exhibition features curated art and objects, generous seating, and a shaded platform for dialogue and exchange.

Inside the Pavilion, 54 participants from across the U.S. and its territories showcase the diversity of contemporary American design, each contributing an immersive “PORCH window.” Selected through a national juried Open Call, the participants offer a multifaceted portrait of American architecture that spans geographies, scales, disciplines, and identities. For the interior presentation, Jonathan Boelkins served as the Interior Exhibition Design Architect, crafting a cohesive spatial experience that honors each exhibitor’s approach to their “PORCH window.”

Additionally, a 132-foot researched exhibit, entitled American Porch Life, wraps the installation on salon walls. This display traces the history and genealogy of the American porch, and its evolving role in American culture, offering visitors insight into the architectural, social, and symbolic significance of the enduring typology.

An ongoing display of PORCH: A Library brings a curated collection of texts that explore the porch as a threshold of learning, memory, and imagination. This exhibition element invites visitors to reflect on spaces where private life meets public engagement and where individual experience gives way to collective understanding.

PORCH: An Architecture of Generosity will remain on view at the Biennale through November 23, 2025. For more information, visit porchusavenice2025.org.

ABOUT THE ORGANIZERS

The Fay Jones School of Architecture and Design, University of Arkansas advances design excellence through a multidisciplinary, place-responsive design education, in service to Arkansas, the nation, and the world. Within the curricular context of an excellent professional design education, the school provides a vital design culture and educational environment grounded in critical design thinking, multidisciplinary collaborations, and civic engagement. Founded in 1946 with degree programs in architecture, and named in honor of the Arkansas-born Fay Jones, the 1990 AIA Gold Medalist, today the school is constituted by nationally recognized degree programs in architecture, interior architecture and landscape architecture, as well as the award-winning University of Arkansas Community Design Center, the Anthony Timberlands Center for Design and Materials Innovation and Garvan Woodland Gardens, a botanical garden in Hot Springs, Arkansas. Across the school, students focus on issues of community with a global awareness, designing for the lives of real people and towards a better environment, through a responsible emphasis on the materiality and experience of design, preparing students to work productively across geographies, societies, and cultures. 

As Arkansas's flagship institution, the University of Arkansas provides an internationally competitive education in more than 200 academic programs. Founded in 1871, the U of A contributes more than $3 billion to Arkansas's economy through the teaching of new knowledge and skills, entrepreneurship and job development, discovery through research and creative activity, while also providing training for professional disciplines. The Carnegie Foundation classifies the U of A among the few U.S. colleges and universities with the highest level of research activity. U.S. News & World Report ranks the U of A among the top public universities in the nation. See how the U of A works to build a better world at Arkansas Research and Economic Development News

DesignConnects’s mission is to create and nurture places and organizations using art and design, collaboration, and civic leadership. DesignConnects provides services in design, non-profit management, community engagement, advocacy, policy-making, government operations, and public/private partnerships, associated with culture, architecture, preservation, landscape, and urban design and planning. Recent projects include: Snug Harbor Cultural Center and Botanical Garden; New York Chinese Scholar’s Garden renovation; Portland, Oregon’s Back to Square One: Rethinking O’Bryant Square; and Scandinavia House at 25, Nordic American Connections: Conversations on Architecture and Design.

The mission of Crystal Bridges Museum of American Art is to welcome all to celebrate the American spirit in a setting that unites the power of art with the beauty of nature. Since opening in 2011, the museum has welcomed more than 14 million visitors across its spaces, with no cost for admission. Crystal Bridges was founded in 2005 as a non-profit charitable organization by arts patron and philanthropist, Alice Walton. The collection spans five centuries of American masterworks from early American to current day and is enhanced by temporary exhibitions. The museum is nestled on 134 acres of Ozark landscape and was designed by world-renowned architect Moshe Safdie. A rare Frank Lloyd Wright-designed house was preserved and relocated to the museum grounds in 2015. Home of the prestigious Don Tyson Prize for the Advancement of American Art and Tyson Scholars of American Art Program, Crystal Bridges offers public programs including lectures, performances, classes, and teacher development opportunities. Some 478,375 school children have participated in the Willard and Pat Walker School Visit program, which provides educational experiences for school groups at no cost to the schools. Additional museum amenities include a restaurant, gift store, library, and five miles of art and walking trails. In February 2020, the museum opened the Momentary in Downtown Bentonville (507 SE E Street), conceived as a platform for the art, food, and music of our time. In 2026, Crystal Bridges will complete a 114,000 square foot expansion that will allow the museum to expand access for all. For more information, visit CrystalBridges.org. The museum is located at 600 Museum Way, Bentonville, Arkansas 72712.

ABOUT LA BIENNALE DI VENEZIA

Established in 1895, La Biennale di Venezia is considered the most prestigious institution, with its International Art and Architecture Exhibitions. Introducing hundreds of thousands of visitors to exciting new architecture every two years, the 19th International Biennale Architettura of La Biennale di Venezia (May 10 – November 23, 2025) will be curated by architect and engineer Carlo Ratti. Information about the Biennale Architettura 2025 is available at: labiennale.org/en/architecture/2025.

The United States Pavilion at the Giardini della Biennale, a building in the neoclassical style, opened on May 4, 1930. Since 1986, The U.S. Pavilion has been owned by the Solomon R. Guggenheim Foundation and managed by the Peggy Guggenheim Collection in Venice, which works closely with the U.S. Department of State and exhibition curators to install and maintain all official U.S. exhibitions presented in the Pavilion. Every two years, museum curators from across the U.S. detail their visions for the U.S. Pavilion in proposals that are reviewed by the National Endowment of the Arts Federal Advisory Committee on International Exhibitions, a group comprising curators, museum directors, and artists who then submit their recommendations to the U.S. Department of State's Bureau of Educational and Cultural Affairs. Past exhibitions can be viewed on the Peggy Guggenheim Collection website at: guggenheim-venice.it/en/art/us-pavilion

The United States Department of State’s Bureau of Educational and Cultural Affairs (ECA) supports and manages official U.S. participation at the International Art and Architecture Exhibitions of La Biennale di Venezia. ECA builds relationships between the people of the United States and the people of other countries through academic, cultural, sports, professional, and private exchanges, as well as public-private partnerships. These exchange programs improve foreign relations and strengthen the national security of the United States, support U.S. international leadership, and provide a broad range of domestic benefits. For more information, please visit: state.gov/eca.

PRESS CONTACTS

Chris Abbate
Founder and President 
Novità Communications
chris@novitapr.com 

Jessica Merritt
Associate Vice President
Novità Communications
jessica@novitapr.com 

Joan MacKeith
mackeithj@gmail.com 

U.S. Department of State
eca-press@state.gov